07 December 2016 Current Affairs GK: Cho Ramaswamy, political commentator, theatre personality and editor of Thuglak, a Tamil magazine known for its withering satire and fearless criticism of political figures, died here early on 7 December 2016.He was 82 .
Cho Ramaswamy : Born into a family of lawyers — his grandfather Arunachala Iyer, his father Srinivasa Iyer and uncle Matrhubootham were well-known lawyers — Cho also took up the legal profession with some success. For some time, he was also a legal advisor to the TTK group, before plunging fully into theatre. Later, he ventured into films and finally made his mark as a journalist by launching his own magazine.
Even before he entered journalism, his work in the popular theatre was laced with political and social criticism. If the attempts of the Congress government led by M. Bhaktavatsalam in the late 1960s to censor the script of his play Sambavami Yuge Yuge drew popular attention, his political satire Mohamed Bin Thuglak was a runaway success. It struck a chord with the people, as through the story of a whimsical king, it pilloried the vice of floor-crossing that was playing havoc with parliamentary democracy in many States then.
Winner of the B.D. Goenka award for excellence in journalism, he was nominated to Rajya Sabha by the BJP government led by A.B. Vajpayee.
Besides his plays, some of which were made into successful films, his other writings covered a wide variety of subjects. Well-versed in the Indian epics, Vedas and Puranas, he wrote copiously on religion and culture.
Mohamed Bin Thuglak was made into a film despite the then DMK government’s desperate efforts to stop its production. Party cadres sought to disrupt the screening too – in some places the screen was torn by vandals.
By the time he launched Thuglak on January 14, 1970, he had already established a name in theatre through his non-conformist approach and sardonic humour.
The articles and cartoons in it were a bold challenge to vested interests. Often writing from a common man’s perspective, he seemed to lend his voice to the voiceless, gutless, and generally insulated middle class that tended to commiserate with one other in silence but rarely spoke out in public.
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